geordie soul powerhouses smoove & turrell are back ahead of their upcoming album crown posada with the barnstorming single - you could’ve been a lady.
they are a breath of fresh air in the often cliched world of soul bands. the boys make no attempt to sound or look like anyone else - not for them the sharp suits and trumpet twirls of some of their peers. instead you get a wildly talented and vital crew of larger than life north east lads taking their rightful place on the international soul scene having already become figureheads within the uk.

the feel music reboot continues with two new tracks from label boss john daly. continuing to push his tempo faster, while at the same time producing some of his deepest work yet. paradise has been a live staple for a while, and it has definitely earned its spot on the label, rocking floors all over the place for some time now. crystal visions on the other side is the kind of deep trip you only get on feel music. universal divine. co-ordinates and associates. feel music 2016

zweites album des aus london stammenden künstlers samuel evans aka rain dog auf dem berliner project mooncircle label. die limitierte vinyl edition erscheint als farbige doppel-lp mit mp3-download coupon.

vol.4 with more detroit / chicago deep house madness...
another solid ep compiled by jordan fields. check the fresh grooves of kstarke’s man of the moment jeremy williams, detroit’s gari romalis, serie limitee’s monsieur cedric, japan’s 99letters, giles dickerson and colombia crew downpitch present encuentros “the journey” edited by jordan fields. hand stickered white label

after mike gervais’ strident work on sym017, ben sims’ symbolism imprint returns with spanish newcomer jlg’s four track ‘convolution’ ep. originally coming to sims’ attention via the demo section of his ‘run it red’ radio show/podcast, javier lg has previously released for dynamic reflection and substance but it’s the quality of his unreleased material that secured his place on symbolism. characterised by intricate and interwoven melodic rhythms, some at the forefront and some almost there, jlg’s debut for the label is an infectious and consummate affair.

mmusic is a modern day music vinyl imprint, paying a 12” respect to quality productions, compiled together, for a must have vinyl record. this sampler invites you to soak in the power of sunrise & sunset grooves, enjoy! limited edition of 300 copies.

(180 gr, rmxs by cfcf, nu guinea, luis delgado, domenique dumont) earlier this summer mark barrott released his second album on his infamous label international feel. here are the remixes.

over the last ten years, greg kozo released self-produced house music eps on his labels, place blanche or enchanté records, and toured the world with one of the most successful french electronic band between 2009 and 2015. 2016 marks the year of the release of his rst solo album due in october on roy music. melodic and deep-house oriented, the rst single release -you- comes with a video, shot, edited and directed by greg in bangkok, thailand.. -signs- is very characteristic of greg’s club culture, although lled with techno beats.&#8232, last but not least, i:cube (versatile) aka -one of the godfathers of the french touch- gives us a deep-house soulful version of -you-. hypnotic and extatic ! mixed by greg kozo / masterized by chab mastering.

reissue of a timeless jazz classic, originally released in 1961. the vinyl lp is housed in a gatefold sleeve.

unknown label rises from the need to move away from the conventional music industry and to find a place where the music speaks for itself, where artists can go beyond their limits and fully express their potential.

moscoman arrived at the esp institute last year with a fistful of killer tracks and an imitable recipe for hummous, since then we’ve seen his debut with the dancefloor bomb ‘akachi’ and a collaborative follow-up release with long-time cohorts red axes. we’re now excited to enter a new chapter with moscoman’s debut full-length album ‘a shot in the light’. this creative outpouring spans years of musical trials and tribulations, finally coming full circle to tell the story of an artist leaving his home in tel aviv to pursue his passions in the electronic mecca of berlin and beyond. moscoman’s unique approach evolves and devolves over the course of eight songs, enduring highs and lows yet never resting for too long in one place—thus illustrating his personal metamorphosis as well as his acute skill of giving many voices to one wild imagination. this music is deliberate, almost cheeky with a youthful sense of optimism running throughout, and even in its most aggressive moment there is always an element of hope.

xcpt music rises from underground electronic music event series taking place in the suburbs of matera, south italy, as mature development deeply rooted and inspired by the uk 90’s scene. it kicks off with label’s manager and co-owner nothus first release, fragments of loneliness, a 12” limited press coming out in the end of september. his first release illustrates a mixture of breaking beats, jungle vibes and detroit soul textures, coexisting in balance in all the tracks with a special broken beat reshape made by italian artist andrea (ilian tape), one of the most interesting newcomer of european techno scene. label artworks represent specific corners of the beautiful matera city, recently rewarded as european capital of culture 2019, and cradle of the label sound.

nino delivers his first well-deserved solo ep on batti batti. originally from bosnia, but based in brussels (belgium), nino s tracks have always been a perfect representation of a purely deep underground sound. starting off with a soothing piece of ambience to set the mood , odysseia ep is aimed for club use and hence depicts ninos evolving style yet maintaining his secretive and atmospheric element as a common factor.

detroit isn t just a place. sure, it is a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. but detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of detroit techno and electro on a deep level. those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

the intensity of neznan his personality and talent made us decide to go all the way for this release. his story is remarkable and feels like a paradox. his musical ability is full of details and his creativity is a perfect match with float. if you take your time to understand his visions and incomprehensible ideas we’re sure you will love this piece of art as much as we do.
way too many words will get spilled if we’re going to describe every single track. the tracks are filled with the tiniest details without them ever sounding complex. his love for the oldskool elements and techniques blends well with his forward thinking approach. above this all we have a splendid jeroen search remix.
two additional tips to enjoy the vinyl release to the fullest.
1: place the vinyl on your deck, press start and watch magic happen when you look into the silver pin.
2: are the locked grooves sounding weird? no, you re wrong. neznan decided he wanted the 45rpm locked grooves on a 33rpm vinyl.

brooks mosher, one of dolly s solid regulars, delivers another excellent high quality detroit injected house ep check!!

bristol is a tight knit place and there has always been a healthy culture of collaboration in the city, lmye (lend me your ears) are the latet in that tradition. two friends who met, and for a period recorded above the idle hands shop on stokes croft. they made their debut on funkineven’s apron label earlier in 2016 with the ‘cali 76’. here they keep things closer to home with a release on idle hands.
‘manhattan’ is as indebted to ’70s us funk as it is to ’90s uk garage. a house tune that has turned heads on the various mixes it has found itself on over the last year.
over on the flip shanti celeste turns in a brilliant remix, one of her best we think.

when la label acid test decided to start the leftfield imprint, avenue 66, they looked to new jersey house mystic joey anderson for an opening salvo. he delivered the modern psych-dance masterpiece above the cherry moon. now andersons back again with more of his beguiling dreamlogic. on if one cares, they act different anderson works with a lead that could score an unsettling 80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. peace there starts with the square-wave basslines and raspy hats taking us to a psychedelic far away place. on the vase, anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. his music so alien and human all at once.

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

midnite spares, australian music devotees andrás and instant peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. through co-presenting weekly radio show strange holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. the 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3rrr and more often than not, the artists themselves. renowned mixed media artist maria kozic enters with the mysterious downbeat of trust me, her partner philip brophy responsible for digital and analogue sonic construction. a recurring character in andrás and instant peterson’s investigations, brophy reappears with a score piece from his divisive feature film salt, saliva, sperm and sweat, recorded as ??? (pronounced “tch tch tch-). other links are thread under the surface. melbourne inner north experimentalist david chesworth explores his australiana songcraft leading whadya want?. the short lived project also featured philip jackson, whose duo the couch is restored from fast forward’s dance issue - a pioneering cassette fanzine published by early-80s 3rrr

mini lp , death & leisure. the new label from oliver ho. ‘….a place where absurdist melodrama meets vile electronics’ following on from the bleak synth sounds explored with his broken english club project, death & leisure will push further inward and outward to embrace experimental industrial music in different forms.
the second release is from zov zov, oliver’s experimental project with tommy gillard which saw it’s debut release last year via shifted’s label mira

fuckthegovernment.ltd, a.k.a. f.t.g (alfredo trastulli) and music box head honcho, marco riff, return to the skylax fold in 2016 with a cache of house nuggets for our listening pleasure. their last venture on skylax saw f.t.g collaborate with a bunch of his friends, resulting in some of the best tracks we’d heard all year, including the unforgettable fuckthegovernment theme. their tracks have been celebrated and hailed by some of the best djs in the game, names such as derrick may, ricardo villalobos, raresh, and dj harvey. the bar set by the first record remains sky high, and somehow, these two manage to raise the bar even higher. it may be the biggest cliche going when talking about an album, but the duo certainly do take us on a journey, through the past and present of house music. it’s a record not too dissimilar in tone to paranoid london’s from a few years back, but f.t.g and marco strip things back even further than those guys did, in our opinion, the sound is more raw with less frills, and no track names to predispose feelings in the listener either. this eight track project is cohesive and elaborate, with movements through sounds both acid and jazzy, minimal and maximal. it explores sounds that came to prominence in famous house locales such as detroit and chicago over in the u.s., but the underground european influence is definitely present, from paris to berlin, and of course f.t.g and marco’s home of italy. with this album, these guys add to the underground sound that has cultivated in the city of perugia for years now, a place that has seen the likes of simoncino and nicholas hone their craft.don’t miss out on a piece of skylax history

album reissue limited edition 475 copies, remastered from the original master tapes. this is a rare latin funk studio project run by julian romero from caracas (venezuela)

the time has come for another artful something vinyl. influenced by strong orbital gravity forces, stl aka stephan laubner transmits deep and moody generated soundwaves once again from his headquarter place out into the world. these 12 inches are able to maneuver eventful emotional vibrations from out of morphic fields and active surroundings, steep surely and on-target, straight home and interior. with three dimension-bending tracks, this release lifts off and comes in queue with, and on top of the existing vast beauty of the something catalog - which in abstract channels actually and already can give soulfood possibly forever. svs29 continues to hold on functional proven techniques and sense-intensities and includes besides genuine new never heard reality checking digs, some well known rare energy loaded twists, remastered today. it shouldn’t be unmentioned that this vinyl comes in limited quantities, and as usual in good shape with an unmistakable drowned tonal aesthetic, that will resonate deep & low till the edge of imagination. with a far visionated flair and an awareness for primary instincts, something vinyl series 29 is taking you through the hatch of space and time in order to make you feel, dance and excite your sweeping senses. now please enjoy and groove in!

avesom (name inspired by the dog of justin bennett, the sound technician that mixed the album) are creations produced during long reharsals sessions that have taken place mostly during sunsets and late nights. there torakiki inmersed themselves in a trip where the music achievable with their own finger was tested, rejecting in advance any programming. the overall sound of the album follow the path of the previous ep, halfway between the new wave and ambient. the band aims references from aphex twin, liars, jamie xx and on the other side, classical sounds from the italian song. in the album participate the voice of ilaria ippolito (# #pap ) and of gulia olivari (o.a.u.). the video of luxard was shot by giovanni aloi in a park in hong kong.
torakiki filled the pieces of avesom with a strong dynamic identity, combining the creative impulses of the three minds and their respective backgrounds. this is a process that questions the logic through a frenetic impulse that provokes constant changes, even though the final result are attainable and catchy songs.

manchester-based duo shield patterns return on september 2nd with a new album entitled mirror breathing. released on band member richard knox’s own gizeh records label, mirror breathing follows on from the critically acclaimed debut album contour lines in 2014 and 2015’s violet ep. where it’s predecessors took a more stark, electronic and processed approach, mirror breathing is an altogether warmer, more cinematic record.

moscoman arrived at the esp institute last year with a fistful of killer tracks and an imitable recipe for hummous, since then we’ve seen his debut with the dancefloor bomb akachi and a collaborative follow-up release with long-time cohorts red axes. we’re now excited to enter a new chapter with moscoman’s debut full-length album a shot in the light. this creative outpouring spans years of musical trials and tribulations, finally coming full circle to tell the story of an artist leaving his home in tel aviv to pursue his passions in the electronic mecca of berlin and beyond. moscomans unique approach evolves and devolves over the course of eight songs, enduring highs and lows yet never resting for too long in one place, thus illustrating his personal metamorphosis as well as his acute skill of giving many voices to one wild imagination. mexican cola bottle baby is our lead single, an optimistic dancefloor-filler that rides a disco rhythm, full of odd-ball percussion, over a swollen house bassline as we’re lead through clusters of synthesized mating calls via infectious melodic whistling. if there is a tune that sums up our idea of summer, bright as a cloudless day yet thick as a tropical heat, and is as wacky as we are here, then this is it.

three mannheim based labels will be joining forces to release a 3 part ep showcasing the emerging talent coming from their hometown and community. 9 tracks, 9 artists, 1 release date.

ma001.1 by sukhumvit records!
ma001.2 by valioso recordings!
ma001.3 by medeia records!

good times, bad friends

damien lynch enjoys countryside a drive in the twilight hour. this is his second offering for the esp institute. on side a, brunette opens with a straight-ahead techno thump of hi-hats and a pulsating 16th-note bassline—a subtle playing field composed solely with a rare 1970’s italian machine, the godwin drummaker 32, unearthed from the secret back room of a music shop in rural ireland where it hid among wonderful vintage russian synths and oddball electronics. this elegant track drips with warm and phasing pads, gentle staccato keys and beautifully simple arpeggios that blur every now and then—all affirming damien’s less-is-more ideology. with side b’s forced relax, damien continues to exercise his restraint, arranging his instruments in a band-like fashion, affording each player the sonic space to project their individual qualities whilst supporting an overall dialogue. there is a soft ebb and flow to every machine’s role, whether the swelling of bass or the interplay of percussive keys, but when these characters arrive in one place, the result is a tranquil euphoria. these two songs will accept you for who you truly are.

following his release on stockholm s bossmusik, kalawila s third release really makes mountains go boom! the strength in the second release on mountain explosion device is undoubtedly kalawila’s sense of rhythm, straight to the point, no bs grooves, that swarm to form total dj tools, plus a subtle atmosphere that will move this record from the shelves into the booths. clocked into a near 13 minutes journey, this monster a-side of a track feels like a celebration of everything that makes us gather during those late hours. paired with a sonic wall that resembles mid 90’s lust for experimentation, which marks the entire a side of kalawila’s second release on his label. on the flip you’ll find even further explorations into the same territory. rest assured that virunga’s less organic but more metallic approach will find a place in the hands of more daring dj’s and listeners. the final track is a remix from jana sleep: a long lost tale of hibernation that keeps most hypnotists on the edge for more. this is only the beginning!

double lp of new material from new jersey musician, unearth noise. the album compiles selected compositions made over the last three years. as a kid roger berkowitz was inspired by the celestial sounds of ravi shankar’s strings, an album that was introduced to him by his father who was an engineer for rca. in his youth he played in various punk bands and dabbled in experimental music after being exposed to the likes of john cage, harry partch, brian eno and mahavishnu....

nice price deal !!! the development of the docile sound has evolved at its own pace over time. the assembly of sound is an intuitive process, and the acceptance of errors is a vital part of the docile working method. docile is a labor of love that takes a stand against mass produced music that an artist is well removed from. docile has a hands-on dedication to every part of the vinyl process to ensure what you get is a legitimate effort. team docile are craftsmen that use their collective skills to produce vinyl with a unique quality and sense of style. the over all sound of docile #20 can be described as soulfully dark, immature, and lovesick amid a funky party atmosphere. the personalities of each track nudge you to its direction with simple grooves that tell stories that are felt without words. these are tracks of moving detroit minimal that stutter, break and turn with a basic efficiency. tracks that share a dark irony in root, but somehow glitch towards a positive. docile looks inward for inspiration and describes its self in this revolving time and place.

gorgeous and tripping lp from this brussels based prince of modern psychedelic electronics.. ..... whole hearted tip!
rabih beaini (morphine records): -played lightning eyelids in the middle of a set, and the whole place came down!!-

nice price deal !!! the luvin legion of hot and bothered slime creatures, ghost groovers and winged horses has landed!some refer to bmmb:s music as funk, some call it skweee, but in the end its modern modern soul.it comes from a place where heavy crunk beats make love to sticky synthesizer leads and angel-like falsetto singing. so far bmmb has mesmerized club and festival audiences around europe.bmmbs only ep (hrmn-7) released in 2009 received amazing amounts of love from educated players such as modeselektor to mention a hot name. now bmmb is back with their long-awaited and long-prepared debut-album dirty seconds on harmonia.bmmb stands for barracuda, mesak and michael black.randy barracuda:best-known as a member of the electro funkateers imatran voima and one of the pioneers of the skweee -movement.mesak:known as a solo-artist from his releases on klakson, ceo of harmonia and a member of the electro group mr velcro fastener.michael black electro: poetry in motion. best known as a member of the hiphop avantgardists ceebrolistics and for his solo -productions on black acre - records

nice price deal !!! like the alien skull that adorns its cover, voodeux’s bones ep is certainly from another place and time. picking up where their 2007 the curse ep left off, sonic madmen tanner ross and kilowatts have refined and sharpened their signature sound into 1.000 needlepoints, bound directly for the back of your neck. this is techno for a horror movie set in deep space. reach for bones if you have a crowd peaking and you want to rip their heads off. burly slabs of bass rain down like easter island statues, while relentless crystalline atmospherics splinter endlessly towards the horizon. skeleton key is no less ominous, broadcasting its spidery main theme over an ever-evolving, increasingly paranoid chord sequence. once the kick drops back in, the chords frost over with a layer of ice, smashing through the frame with all the subtlety of a yeti attack

nice price deal !!! his >sleepy hollow< on innervisions is regarded as the anthem of 2006, gaining respect from all over the place. this year stefan goldmann is back with his own label macro and the next level of post-minimal modernism: >aurora< and >beluga<. both already are a central part in the sets of richie hawtin, Âme, luciano, damian lazarus, loco dice, steve bug, peter kruder and the lucky few who already have it on cdr. stefan has released through high profile labels like innervisions, perlon, ovum and classic. he recently also became one of europe s most in demand remixers with highly acclaimed reworks for blackjoy, marc romboy, it and … coming up soon: dj gregory. so, macro is destined to be a premier platform for both, stefan s genre-bending outings and the utmost in quality by likeminded artists. what a start

after spending the majority of 2009 in hollywood, chanes briefly returned home to finish up songs for what would become his 2010 release, an experimentation in instrumentation. the 15-track tape, presented by house shoes, exposed us all to the nomadic 21-year-old producer from canton, michigan. chanes would spend the next two years working between home and brooklyn, before relocating to arizona, where he would release his follow up project, renegade hands, (insect records 2013). presented again by shoes, hands solidified chanes as one of the most promising young producers in the country.
fast-forward to 2016, and at 27, this self-titled debut takes us circa 2007 - 2009 with the soul-chopping salad days of his mother s basement, through the alternative sampling williamsburg, brooklyn sessions of 2010. if the melancholy desert psychedelia of his isolated four years in perpetual southwestern summer gives us a glimpse into his growing electronic influences, then the angst of his winter homecomings are hiding under the aggressive parka weather beats that first caught the attention of detroit’s underground.
fittingly, chanes’ debut lp comes full circle, finishing the album back in the place it all started and releasing it with long-time supporter house shoes and street corner music.

andrzej nowak is a polish early computer music composer who never found proper place in official contemporary music world. tracks produced between 1987 and 1994 as a score for never screened animation movies (the producer didn’t like them). lines of simple sounds, interrupted by primitive electronic trumpet and other fake instruments. are you sure it’s a film score? what was the thing that producer didn’t like? weird harmonies or too much rhythm?

waking up in the middle of the night, feeling the gentle touch of moss on your bare skin and overwhelmed by the eery yet calming atmosphere of unknown surroundings. a location no one ever goes to, a destination unreachable by common means, but a place blurring the lines between having a dream and a state of mind. welcome to talabout. stavroz managed to create a wholesome, comforting soundtrack for a place, which no words can describe. take a rest, lay down, close your eyes and listen to a story told in an orchestral fashion, with such profession and ear for details like luise never heard before. we are deeply impressed and thankful alike to be able to present this musical masterpiece. a heartly welcome to stavroz, everyone.

the first place the world heard the lead track from this new love notes from brooklyn release, where pathways meet, was on deep house legend mike huckaby s my life with the wave show volume 2. pascal viscardi was one of many great artists to take huckaby s warm tones and turn them into a work of art. pathways. wriggles with deep funk and soul, and is paired with 3 other likeminded tracks for this very well-rounded ep. oshakusan is the dancefloor track, juxtaposing warm chords and an insistent sax sample over the a tough bassline and rhythm combination that s aimed staight at the floor. free at dawn is the fathoms deep effort, going miles below the surface in a emotional expression of soul, and and i showed the clouds (how to cover up a clear blue sky) provides a perfect outtro, and end to the statement made, making this ep feel truly complete.

noleian reusse and jamal moss team up again as africans with mainframes for “faces of africa” ep. think early ibadan or smile records b-sides of murky excursions in tribal and techno!

recently appearing on the mighty crosstown rebels with a remix of shaun j. wright & alinka ‘face the truth’, sought after duo audiojack are back serving up a solid two-track release in the form of ‘turya’. turya is built for serious heads down sessions fusing subtle acid pads with soaring synths and sonorous spoken words. the hypnotic quality of the teacher’s words beguiles and entrances the dance floor, allowing people to lose themselves in them and its evolving groove. ‘event horizon’ is a different beast altogether, with a heavy drum and bass vibe, a four-four format, and a classic -amen- break beat style. in 2015 audiojack launched their sunday social free party at veto club in their home of ibiza, which after a strong season will continue this year. their first essential mix recently dropped on radio 1 and a string of highly successful releases and remixes on labels such as hot creations, tsuba, 20/20 vision and their own gruuv has solidified their place in the dance music elite. it’s safe to say that 2016 is proving to be a big year for the talented duo.

limited edition - only 300 copies pressing.
1991 production by flavio vecchi and ricky montanari for ethos mama production and irma records rimini , riccione and all the - riviera - always been the place where there is the highest concentration of clubs and ethos mama was definitely one of the most underground of that period ... ricky & flavio imposed their unique sound and realized one of the most played and danced deep house record ever!

-humans are driven to explore the unknown-.. -human space exploration helps to address fundamental questions about our place in the universe-. this ep was inspired by the mysteries of outer space, 3 tracks that will make you move and understand ... vinyl

zizkov is the name of a certain shady prague neighbourhood, where fox experienced a lot of happy, and at the same time sad moments. favourite place on earth.

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images. by exhuming these obscurities from the dustbin of history, born bad have decided otherwise. archaeologists with an agenda, they seek to give jean pierre decerf the renown he deserves: that of an innovator whose rhythmic, synthetic compositions inspired the harbingers of the french touch (air comes to mind), not to mention some east coast rappers.

nice price deal !!! sandro perri released his album impossible spaces lp in 2011 on constellation records, earning him rave reviews worldwide, including an 8.3 pitchfork rating + a best new track, for the stunning single changes. this track, plus the album track love & light, have been remixed/reshaped by diverse talents zongamin, mickey moonlight, eluvium & max gross (glissandro 70). the remixers approach these 2 tracks quite differently – but all 4 versions have 1 fortunate thread – perris vocals – which are preserved, highlighted and reimagined in wonderful ways.sandro perri & dfa have long been seeking a project to create together, and this release seemed like as good a place to start as any.this is a great addition and continuation of the impossible shapes lp listening experience, and also a lovely way to revisit these remarkable tracks

pathos essential dreams is just the beginning of a unique and beautiful musical trip in the heart of the aegean sea. during the summer of 2016 the decks of pathos lounge bar will host some of the world’s leading djs alongside its resident for this year, straight from buddha bar dubai, glass coffee. surrender to the pleasures of nature, embrace the sea, the sun, the wind and relax with a soothing drink against the backdrop of the aegean. in other words welcome to pathos!

mmusic sampler 004 mmusic is a modern day music vinyl imprint, paying a 12inch respect to quality productions, compiled together, for a must have vinyl record. limited 300 copies mastered by rob small mastering